Alexander offered to pay for the temple’s rebuilding; the Ephesians tactfully refused, and eventually rebuilt it after his death, at their own expense. Work started in 323 BC and continued for many years. The third temple was larger than the second; 450′ long by 225′ wide and 60 feet high, with more than 127 columns. Athenagoras of Athens names Endoeus, a pupil of Daedalus, as sculptor of Artemis’ main cult image. Pausanias (c. 2nd century AD) reports another image and altar in the Temple, dedicated to Artemis Protothronia (Artemis “of the first seat”) and a gallery of images above this altar, including an ancient figure of Nyx (the primordial goddess of Night) by the sculptor Rhoecus (6th century BC). Pliny describes images of Amazons, the legendary founders of Ephesus and Ephesian Artemis’ original protégés, carved by Scopas. Literary sources describe the temple’s adornment by paintings, gilded columns of gold and silver, and religious works of renowned Greek sculptors Polyclitus, Pheidias, Cresilas, and Phradmon.
This reconstruction survived some 600 years, and appears multiple times in early Christian accounts of Ephesus. According to the New Testament, the appearance of the first Christian missionary in Ephesus caused locals to fear for the temple’s dishonor. The 2nd-century Acts of John includes an apocryphal tale of the temple’s destruction: the apostle John prayed publicly in the Temple of Artemis, exorcising its demons and “of a sudden the altar of Artemis split in many pieces… and half the temple fell down,” instantly converting the Ephesians, who wept, prayed or took flight. Against this, a Roman edict of 162 AD acknowledges the importance of Artemesion, the annual Ephesian festival to Artemis, and officially extends it from a few holy days over March–April to a whole month, “one of the largest and most magnificent religious festivals in Ephesus’ liturgical calendar”.
In 268 AD, the Temple was destroyed or damaged in a raid by the Goths, an East Germanic tribe in the time of emperor Gallienus: “Respa, Veduc and Thuruar,[19] leaders of the Goths, took ship and sailed across the strait of the Hellespont to Asia. There they laid waste many populous cities and set fire to the renowned temple of Diana at Ephesus,” reported Jordanes in Getica.
Thereafter it may have been rebuilt, or repaired but this is uncertain, as its later history is highly unclear and the torching of the temple by the Goths may have brought it to a final end. At least some of the stones from the temple were used in construction of other buildings. Some of the columns in Hagia Sophia originally belonged to the temple of Artemis, and the Parastaseis syntomoi chronikai records the re-use of several statues and other decorative elements from the temple, throughout Constantinople.
The main primary sources for the Temple of Artemis at Ephesus are Pliny the Elder’s Natural History XXXVI.xxi.95, Pomponius Mela i:17, and Plutarch’s Life of Alexander III.5 (referencing the burning of the Artemiseum).
Third Phase (Temple of Artemis),